Honor Diaries is an important film that explores the brutality and systematic inequality faced by women in Muslim-majority societies. It features both believing Muslim women, like Dr. Qanta Ahmed (whose compelling essay about the film was published here at National Review Online yesterday), and former Muslims like Ayaan Hirsi Ali, the renowned author and human-rights activist.
The purpose of Honor Diaries is to empower women by shining a light on the hardships they endure — including “honor” killings (i.e., murders over the perception of having brought shame to the family by violating Islamic norms), beatings, genital mutilation, forced marriage — particularly of young girls – and restrictions on movement, education, and economic opportunity. The film highlights authentic Muslim moderates struggling against the dead-end of Islamic supremacism.
So naturally, the Council on American–Islam Relations (CAIR) does not want you to see it.
At Fox News, Megyn Kelly has been covering the film anyway, despite CAIR’s howling. The segments that aired on Monday and Tuesday are available on Megyn’s website, here and here.
CAIR is a Muslim Brotherhood creation, conceived as the primo American public-relations firm for Islamic supremacists, particularly Hamas — a task CAIR pulls off by masquerading as a “civil rights” organization.
Hamas, as I recounted in The Grand Jihad, is a formally designated terrorist organization under federal law. It is also the Brotherhood’s Palestinian branch. In the early Nineties, the Brotherhood established a “Palestine Committee” to promote Hamas in the United States, an agenda topped by fundraising and efforts to derail the 1993 Oslo accords — the futile, Clinton administration-brokered attempt to forge an Israeli–Palestinian peace settlement. CAIR’s founders, Nihad Awad and Omar Ahmed, attended a three-day summit in support of Hamas in Philadelphia in 1993, much of which was wiretapped by the FBI. CAIR was established shortly afterwards. By summer 1994, the Palestine Committee was listing CAIR in internal memoranda as one of its “working organizations.”
We’ve discussed CAIR here many times, including in my 2009 column about the FBI’s long-overdue severing of “outreach” ties with the organization. It is infuriating that the Feebs and the wider government thought it was worth canoodling with CAIR in the first place, but the Bureau officially ended the affair after the 2008 Holy Land Foundation terrorism-financing trial, in which several Hamas operatives were convicted. CAIR, though unindicted, was shown by the Justice Department to be a co-conspirator. In sum, prosecutors established that the Holy Land Foundation for Relief and Development (HLF) was the primary Hamas fundraising arm in the United States. Like CAIR, HLF was identified by the Brotherhood’s Palestine Committee as one of its “working organizations.” As terrorism researcher Steve Emerson has shown, CAIR got $5,000 in seed money at its inception from HLF, and thereafter helped raise money for HLF. The federal government shut HLF down in 2001 because of its promotion of terrorism.
Although Honor Diaries has been widely acclaimed and screened internationally, CAIR has been agitating against it. As reliably happens when CAIR plays its tired “Islamophobia” card, universities across the nation cower — especially universities with active Muslim Students Association chapters. (As we’ve observed before, the MSA is the foundation of the Muslim Brotherhood’s infrastructure in the United States.) Starting with the University of Michigan at Dearborn, several schools have now decided not to screen the film after all.
Why it is “Islamophobic” to condemn violence and abuse against Muslim women is not entirely clear to me. It is, however, clear to Linda Sarsour, a “community organizer” and “immigrants’ rights activist” who is celebrated on President Obama’s website, WhiteHouse.gov, as a “Champion of Change.” As reported on The Kelly File, this particular “champion” reacted to Honor Diaries by tweeting:
How many times do we have to tell White women that we do not need to be saved by them? Is there code language I need to use to get thru?
Thoughts like Ms. Sarsour’s make for depressing reading, but clearly she is referring to some of the filmmakers, who happen to be white women (the others include white men and a black woman, Ms. Hirsi Ali, the Somali-born executive producer who was raised as a Muslim). The film has also been promoted by yet another highly accomplished woman, Brooke Goldstein, the human-rights attorney and filmmaker who directs The Lawfare Project; and by the Clarion Project, a New York–based organization that promotes moderate Islam and publicly challenges “extremist” Islam.
The community organizers at CAIR have obviously read a bit farther along in Rules for Radicals than Ms. Sarsour. Rather than racist tweets, they couch their character assassination of the film’s backers in the poll-tested sensitivities of everyday Americans, pretending to endorse the film’s message while telling you not to watch it. They issued a statement on Monday that Megyn Kelly aired:
American Muslims join people of conscience of all faiths in condemning female genital mutilation, forced marriages, ‘honor killings,’ and any other form of domestic violence or gender inequality as violations of Islamic beliefs. If anyone mistreats women, they should not seek refuge in Islam. The real concern in this case is that the producers of the film, who have a track record of promoting anti-Muslim bigotry, are hijacking a legitimate issue to push their hate-filled agenda.
Right. Women are being brutalized but our “real concern” should be the “track record” of some film producers. Beyond CAIR’s say-so that it is “hate-filled,” this purportedly dark track record is not described. But, after all, who would know more about what counts as “hate-filled” than a PR flack for a terrorist organization whose charter vows to annihilate Israel by violent jihad?