My article on Abraham Lincoln’s favorite poem is in today’s Wall Street Journal. Lincoln’s birthday is tomorrow.
On the evening of March 25, 1864, Abraham Lincoln sent his young son Tad to fetch a copy of Shakespeare’s plays from the White House library. With the volume in hand, the president recited passages to an audience of one: Francis Bicknell Carpenter, a painter who was working on “First Reading of the Emancipation Proclamation of President Lincoln,” a portrait that now hangs in the Capitol.
After a while, Lincoln set down the book. “There is a poem that has been a great favorite with me for years,” he said. Then he closed his eyes and declaimed 56 lines. He knew the words, but nothing else of the poem. “I would give a great deal,” he said, “to know who wrote it, but I never could ascertain.”
The author was William Knox and the title was “Mortality,” though it was perhaps better known by its first line, “O why should the spirit of mortal be proud!” The theme is death, the great leveler that touches saints and sinners, kings and beggars, parents and children. Today, poet and poem would be almost entirely forgotten but for their connection to Lincoln.
It's extremely interesting that "Mortality" was a Lincoln favorite, but the work itself? It's hard enough to avoid tedium in what is sometimes called a "list poem," but never more so than when you're repeating a tale that hath as often been told as "death awaits all, regardless of station."
For a stunning, list form, Civil War contemplation on death (which needs no Lincoln to survive), Walt Whitman's "This Compost," has no equal:
"1
Something startles me where I thought I was safest,
I withdraw from the still woods I loved,
I will not go now on the pastures to walk,
I will not strip the clothes from my body to meet my lover the sea,
I will not touch my flesh to the earth as to other flesh to renew me.
O how can it be that the ground itself does not sicken?
How can you be alive you growths of spring?
How can you furnish health you blood of herbs, roots, orchards, grain?
Are they not continually putting distemper'd corpses within you?
Is not every continent work'd over and over with sour dead?
Where have you disposed of their carcasses?
Those drunkards and gluttons of so many generations?
Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day, or perhaps I am deceiv'd,
I will run a furrow with my plough, I will press my spade through
the sod and turn it up underneath,
I am sure I shall expose some of the foul meat.
2
Behold this compost! behold it well!
Perhaps every mite has once form'd part of a sick person--yet behold!
The grass of spring covers the prairies,
The bean bursts noiselessly through the mould in the garden,
The delicate spear of the onion pierces upward,
The apple-buds cluster together on the apple-branches,
The resurrection of the wheat appears with pale visage out of its graves,
The tinge awakes over the willow-tree and the mulberry-tree,
The he-birds carol mornings and evenings while the she-birds sit on
their nests,
The young of poultry break through the hatch'd eggs,
The new-born of animals appear, the calf is dropt from the cow, the
colt from the mare,
Out of its little hill faithfully rise the potato's dark green leaves,
Out of its hill rises the yellow maize-stalk, the lilacs bloom in
the dooryards,
The summer growth is innocent and disdainful above all those strata
of sour dead.
What chemistry!
That the winds are really not infectious,
That this is no cheat, this transparent green-wash of the sea which
is so amorous after me,
That it is safe to allow it to lick my naked body all over with its tongues,
That it will not endanger me with the fevers that have deposited
themselves in it,
That all is clean forever and forever,
That the cool drink from the well tastes so good,
That blackberries are so flavorous and juicy,
That the fruits of the apple-orchard and the orange-orchard, that
melons, grapes, peaches, plums, will none of them poison me,
That when I recline on the grass I do not catch any disease,
Though probably every spear of grass rises out of what was once
catching disease.
Now I am terrified at the Earth, it is that calm and patient,
Reply to this commentLinkReport AbuseIt grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless
successions of diseas'd corpses,
It distills such exquisite winds out of such infused fetor,
It renews with such unwitting looks its prodigal, annual, sumptuous crops,
It gives such divine materials to men, and accepts such leavings
from them at last."
am i missing something? where is the poem!? i can' t find it from the op-ed. Yon can't really have written about it without including it, can you?
But just as importantly, I believe you have answered one of the most important questions in children's literature. that's the same meter as the Cat in the Hat,isn't it? I never knew its name! Thank you!
Reply to this commentLinkReport AbuseIt is inadvisable to affix one's eyes too long upon naked reality.
Denial exists for a very good reason, as evidenced by the sudden surge of denial I experienced upon reading the last two stanzas of the poem.
For those in the give-it-to-me-straight mood, try Oliver Wendell Holmes's The Last Leaf at the following link:
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