|
![]() |
|
|
August 30, 2005,
8:20 a.m. I was going to begin this column with a rant against airline travel, and the apparent contempt airlines have for their customers but journalists are always doing that, and it's kind of a cliché, and . . . I'll return to it later.
It reminds me of what Mitch Snyder, the "homeless advocate," used to do in Washington, D.C. He'd have these poor homeless fellows as props "Nothing wrong with Walter and Jeffrey here, just a little down on their luck, victims of a racist and capitalist society" and they were obviously deranged. Snyder himself was barely hanging on. But everyone pretended. And who has taught Cindy to mouth these lines? I know her greatest hits about Bush as the world's No. 1 terrorist, about a war for oil, or for Halliburton, or for the Carlyle Group but Victor Davis Hanson taught me a new one in his piece last Friday: "Yes, he [Casey Sheehan, Cindy's son] was killed for lies and for a PNAC neocon agenda to benefit Israel. My son joined the Army to protect America, not Israel." No, someone had to teach Cindy to say that "You've got to be carefully taught," as Oscar Hammerstein said. Who are the culprits? Who are these nasty and heartless exploiters? I think of the kids I went to college with. They'd arrive from Muskegon or wherever, perfectly sane, and within a month they'd be in the grip of nonsense. They'd met some smelly hippie at some stall or, more likely, a teaching assistant in a classroom and lost their marbles. Some recovered them relatively soon; others suffered lasting damage. The Cindy Sheehan story is outrageous on 50 levels.
Other than that, Hanson is spot-on, as usual.
Oh, how abject, and cringing, and pathetic they are! You should have seen this woman in line at a counter in Charles de Gaulle Airport. She practically pounced on the French couple in front of her (they spoke a little English): "Oh, you're from Paris? My son works for the Herald Tribune, and, boy, does he love France, and especially Paris, and how could anyone ever want to be anywhere else? I mean, really!" A translation: Please, please, please don't hate me I'm not like the others. And did I mention about my son's job? Made me want to hurl. (Incidentally, I say this as a lifelong Francophile.) (Although that Francophilia has been sorely challenged of late.) A couple more travel notes (but not that rant): I don't know whether it was part of the now-late EU constitution, but I've always suspected that individual European constitutions mandate smoking because everyone does. I had to smile when I saw a sign in one plane: "No Smoking." They still need reminding, do they? I remember the cataclysm when smoking was banned on domestic flights only domestic flights in America. (Or was it only the short hops, at first? I can't quite remember.) Johnny Carson played a role here: He was a chain-smoker, but the anti-smoking forces found it helpful when he said, "No one is incapable of going without smoking for two hours." I understand that some are, in fact, incapable. But Johnny probably spoke the truth as a generality. Funny what we remember, when prompted by signs and the like.
In the course of the seminar, he turns to me and says, "Are you still a Republican?" This was a bit of an outing, for those in the community who didn't know, and perhaps just slightly discomforting. I respond, "With a capital R and a small R, you better believe it." Or something like that. He then gives a sweet little speech about democracy, and civil disagreement, and concludes: "You're just wrong." Big laughs. I simply shrug to the audience, "It's my cross to bear." Hampson murmurs something about the significance of that word "cross." Ah, yes! The specter of the "Religious Right," always before us! Nonetheless, Hampson is a phenomenal talent, and a winning performer, no matter what the setting. He later thanks me for being willing to act the foil. I suggest I was Leporello. (Don Giovanni reference.) Okay, flash-forward to a reception a couple of days later. A lady who lives in Germany approaches me about the Hampson seminar, and the political hijinks that took place. Turns out she was born in Panama. She knows my thinking on Cuba, and she leans in, saying with a determined look in her eye "You are not wrong." A nice, nice moment. It's the kind that can get you through all the rest. What else? I meet an expat lady, at another reception. (Same one, actually now that I think about it.) She knows that I'm a political journalist because I've been described that way and she asks, "How's politics, back in the U.S.?" I answer quite neutrally: "Oh, you know: divided, just as it has been for several years." She persists: "Well, what about impeachment? Is that going to happen?" I say, "Excuse me?" She says, "You know, impeachment over the Downing Street Memo. I heard they might do that." Ah. Yes. Downing Street Memo, or DSM. The black helicopter of the Left. I allow that I don't think President Bush will be impeached. But I can help her out on another score. She asks whether Hillary Clinton will be reelected in New York. I say: Not to worry! Okay, a group of us goes to Garmisch, Germany, to visit the Richard Strauss home. We are shown around by the composer's grandson, Dr. Christian Strauss. I have a fun fact for you, NR fans. You know Kate O'Beirne, our Washington editor? (Of course you do question was strictly rhetorical.) One of her sons was delivered by this same Dr. Strauss. The O'Beirnes were stationed in Garmisch, with Husband Jim in the Army. Anyway, I don't know if you know this, but when the Americans came to Strauss's villa, at the end of the war, he greeted them on the doorstep with, "I am Doktor Richard Strauss, composer of Salome and Der Rosenkavalier." (Interesting choices, those two.) The music-loving Americans let him off very, very lightly, not taking over his house, for example. So, we're in the composer's study, and his grandson is telling us about how, one day, a soldier from Texas walked in. This must have been a fair piece into the occupation. The very mention of the word "Texas" sends up gales of laughter and snorts apparently, "Texas" is a byword for everything crude and risible. Seems that the Texan sat in Strauss's chair, put his feet on the table, pointed to a sculpture of Beethoven, and asked, "Who's that?" The family answered, "The Gauleiter of Munich." From that day forward, the Strausses referred to Beethoven, in that sculpture, as "the Gauleiter." A charming story but you know what I'm thinking: If not for boys from Texas, Western Europe might have been in chains for a while longer. In addition to which, the Allies were awfully generous toward Strauss, considering. Okay, I've got about four more, but let me give you a final story: Friend of mine is at a gala dinner, seated next to a German woman. Subject of Israel comes up. Uh-oh. She won't get off it. She asks, "Why does there have to be an Israel?" My friend hazards that it has something to do with relatively recent events, on soil much like this. Lady still won't let go: "Why couldn't the Jews have gone to Madagascar?" Friend simply stares at his schnitzel. Oh, yeah, I wanted to tell you about the (new) modern-art museum, up on a mountain in Salzburg. I won't even bother to ask, "How can they call it 'art'?" The word "art" has been abused even more than "liberal." (Quick quiz: Are the most illiberal people you have ever met "liberals"?) About the museum, I will say merely that I checked out when I got to the large posters of Britney Spears. Graffiti had been scrawled on them (by the "artist"). There was the word "Suck," with an arrow pointing to the subject's mouth. And a Star of David was etched into her forehead. Why, I don't know. Again, this is where I checked out. I can't look at most contemporary art, even for the sake of criticizing or decrying it. This is yet another reason that Roger Kimball is a saint.
For a review of Die Gezeichneten, an opera by Franz Schreker, please go here. For a review of The Magic Flute (I forget the composer), please go here. For a review of La Traviata, please go here. For a review of the violinist Midori in recital just one name, please, like Cher or Newt please go here. For a review of Mozart's Mitridate, please go here. For a review of the mezzo-soprano Cecilia Bartoli in recital, please go here. For a review of the baritone Matthias Goerne in recital, please go here. For a review of a Camerata Salzburg concert, please go here. For a review of Thomas Hampson in recital, please go here. For a review of a concert featuring Dietrich Fischer-Dieskau, in his 80th year, please go here. That oughta hold you really hold you.
That must be the coldest putdown of a victory in all history. Wouldn't you say? See you. Oh, I never got to my rant on air travel! Later. Later. * * * YOU’RE NOT A SUBSCRIBER TO NATIONAL REVIEW? Sign up right now! It’s easy: Subscribe to National Review here, or to the digital version of the magazine here. You can even order a subscription as a gift: print or digital! |
|
||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||