Rebecca Cusey has a review of The Iron Lady, which opens tonight in New York and Los Angeles:
Conservatives have nothing to fear from the controversial and wonderfully subversive Margaret Thatcher biopic, “The Iron Lady.” Because the creators, whatever their personal political beliefs, had the artistic integrity to let Thatcher be Thatcher, the film becomes a rousing call to those who believe that “those who can do, must get up and DO.”
She also talks about the controversial framework of the film:
The controversy stems from the framework of the film, which depicts Thatcher as a befuddled elderly woman recalling the important events of her life between hallucinatory chats with her deceased husband (Jim Broadbent) and pestering of her living daughter (Olivia Colman). As a portrayal of the onset of dementia, it is brilliant, with Streep fearlessly emitting guttural sounds and half spoken words as emotions chase each other across her face. Confusion transforms into amusement; Annoyance, determination, exasperation all flit through her eyes and lips as fast as cloud shadows on a hillside on a summer’s day.
Conservatives have worried that this depiction of a powerful woman wrestling with age casts aspersions on her career and beliefs, as if succumbing to age invalidates what came before. I disagree. Instead, it adds pathos as the former most powerful woman in the world comes to require what can only be described as babysitters. It also does something more: it strips away the details and shows the iron core of Margaret Thatcher.
Even in her confusion, she is all about principle.
Read the whole article here, which has a warning you might want to read before you take the kids.