March 02, 2005,
7:52 a.m. A word about the Oscars? Okay, just a quick one. I didn't watch them terribly closely; but I wanted to make four points to you, of which I can remember only three. The first is . . . hearing Cate Blanchett speak, in her own voice, reminded me that she is indeed Australian. It occurred to me that I always hear her in other accents British, American. I don't know that I've ever seen her in a movie where she is free to be her Australian self. (I'm probably just forgetting.) I can't say I'm happy she won that award, because her Katharine Hepburn annoyed me which is just as well, because Katharine Hepburn, herself, annoyed me. That was not my favorite persona and Cate probably got it to a tee. Is that acting? Or impersonation (if there's a difference)? Is giving an award to Cate Blanchett for doing Kate Hepburn, or to that guy for doing Ray Charles, a little like giving an award to Rich Little? Probably not. Just a question. Second issue (Cate Blanchett counts as only one): Introducing two busty babes, Chris Rock said something like, "Please welcome all four of them." That reminded me of one of Dick Cavett's best anecdotes: He was working on the Tonight show, when Jack Paar was host. All the writers were asked to come up with their best introduction of Brigitte Bardot. And Cavett won by penning, "Here they are, Brigitte Bardot." Last, a lot of readers have asked me to say something about Che Guevara about Salma Hayek's tribute to him as a "youthful idealist," and about that musician's wearing a Che shirt. All I have to say is . . . but what can I say that I haven't said ad nauseam, in this column and in my Che piece for NR? (Here is where you find that but a subscription is required.) Certain Che admirers can be educated they're merely ignorant. But others actually know about Che, and like what he stood for. And, had they the power, they would have you and me in a camp, or dead. (Guevara did establish the Cuban gulag his major legacy on the island.) It would be nice to get used to seeing Che's face on a T-shirt. But one never does, does one (or "do one," as Fats Waller would say)?
I don't know about you, but I rather like an AG who'll jail bad guys. For me, that's not being the "heavy"; that is, in fact, being the good guy. Which John Ashcroft is.
I also wish to commend to you Mark Steyn's review of Hotel Rwanda an extremely positive, and interesting, review. A couple of excerpts: . . . it was the Hutu energetically hacking the Tutsi into oblivion, while the parties who could have prevented the slaughter notably President Clinton, the Pain-Feeler-in-Chief gave a massive shrug of indifference: Toot, toot, Tutsis, goodbye! When I first heard about Hotel Rwanda, I didn't think you could pull off a movie "about" this subject. It's really an anti-story it's about the cavalry not showing up. And how do you find any human interest in it? These fellows killed nearly a million of their neighbors, in the lowest-tech way possible with machetes and taking especial care over the murder of the children, to wipe out the next generation of Tutsi. . . . It's a story of lack of human interest. . . . We are given to believe that President Bush is determined that that movie not be necessary.
(By the way, when you say "Turandot," go ahead and pronounce the final "t." Many don't, in the mistaken belief that French is in order. Turandot is an Italian opera about a Chinese princess. Pronounce the "t" if you can stand to be corrected incorrectly. I would bet most of the tea in Turandot's China that the author of this snotty little article pronounces the name incorrectly.) Let me cite the last line of the article: "Ernest Lee [a cadet], descending to the coat check, declared his intention to develop his newfound taste for Puccini at the first opportunity. 'I want to get the soundtrack,' he said." Ha, ha, ha dumb soldier said "soundtrack," as though the opera were a movie. Journalists have extraordinary power, for good or ill. I think about this a lot. By some artful arranging of sentences and so on, you can make anyone even an Einstein look stupid. I hope I don't do it (too often).
Yup, yup. But the comedians' image the Jon Stewart/Bill Maher fiction about Bush is very hard to break. "Cheney's really in charge, Bush is an idiot," all that. I hope that we will reach the point when only idiots believe that. But it took our elites a long time to get straight about Reagan. And, even now, they're not all that straight.
What a nightmare. Or a joke.
I think al-Jazeera's understanding of America is as subtle as Vladimir Putin's.
But those are days we mustn't relive.
Deliciously, there was a Chinese man in the audience who had actually endured the Cultural Revolution, and been a "barefoot doctor" in it. He could set Sen straight and did. I bring all this up because it gives me the opportunity to mention one of the best books I've ever read (seriously). I speak of Gang of One: Memoirs of a Red Guard, by Fan Shen. I reviewed it in NR last summer. Like this corrector of Sen, the author was a "barefoot doctor" someone playing at medicine, because what is bourgeois learning and experience after the Revolution? But that is the least of this enthralling, perfect book.
Sir, Ain't no question. None.
One subtext of the negative talk about Summers's "management style" is huge, and I haven't seen it discussed. Summers is quintessentially an MIT man (of the post-WWII, pre-1980s MIT, after which things changed). This means he focuses at work on solving complex real-world problems in a limited time with available resources. People who are good at this (they can be engineers or scientists) are both extremely creative and completely realistic. They clarify problems, re-framing them in new ways as necessary, aiming for the best solution possible under the circumstances, recognizing that a better one might come along in the future. They have little interest in or patience with talk for talk's sake, talk that isn't relevant to actions, talk focused primarily on establishing the speaker's self-image and status, and they pretty much tune it out. Since this way of thinking and acting isn't part of the, shall we say, skill set of most of Harvard's Arts and Sciences faculty, they haven't a clue where Summers is coming from. So they assimilate his actions into a more-familiar-to-them model of corporate management and complain about his predilection for "hierarchical decision making" and lack of "collegiality." They focus on process (an essentially bureaucratic perspective, though they have more self-flattering language for it) while Summers focuses on interactions and information that produce solutions to problems.
Your comments on Wal-Mart and its role as an anti-corporate target remind me of an experience I had a couple years ago at a scholarly conference in Sweden. During an excursion, another American participant chose to offer our Swedish hosts an impromptu tutorial on the evils of Wal-Mart, based on her having taught for a semester in Arkansas in the course of which she encountered the evil retailer at first hand. She described it as a lily-white, redneck, Bible-toting establishment, simply against everything a progressive person like herself stood for. I said, that's funny, because when I go into the Wal-Mart in my New Jersey town, I hear all sorts of languages, including Spanish, Jamaican-accented English, and Polish, and by the way, the prices and selection are great. The Swedes were thrown into confusion, because they simply had never heard any conflicting views along these lines. I then went on to explain the brilliance of Wal-Mart's inventory and logistical systems while my progressive colleague sat by in a snit. Then a McDonald's appeared on the horizon, and taking the opportunity to redirect the conversation, my colleague said how horrible it was to see that blight of low American cuisine on the Swedish countryside, to which I remarked that the Swedish franchisee who chose to open it there must have discovered a demand for it, since the parking lot was full. It was a fun trip. I bet!
Jay, See you soon, y'all. | ||||||||
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http://www.nationalreview.com/impromptus/impromptus200503020752.asp
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