Where’s the Beef, Wonder Woman 1984?

Gal Gadot in Wonder Woman 1984. (Warner Bros. Pictures)
Diana Prince returns in a cinematic can of processed corporate sludge.

NRPLUS MEMBER ARTICLE A s of Christmas Day, the “Imagine” video is no longer the worst film Gal Gadot and Kristen Wiig have released in 2020. Wonder Woman 1984 is an ode to parachute pants, fanny packs, eyeball-scorchingly bright colors, teased pouffy hair, and shopping malls, but the throwback item it implanted in my mind is Cheez Whiz. This movie is laboratory-made processed corporate goop in a can.

Picture the dumbest imaginable Cold War script, except with so little effort to make the action scenes zing that you might as well be watching an episode of T. J. Hooker or Hardcastle and McCormick. Wonder Woman

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