A Great Artist’s Career in Anti-communism

Tom Stoppard at the world premiere of Anna Karenina at the Odeon Leicester Square in London in 2012. (Dylan Martinez/Reuters)
A rare voice of sanity in the theater, Tom Stoppard vigorously rebuked and lampooned the most monstrous idea of his time.

NRPLUS MEMBER ARTICLE I f the Left can be reduced to a word, it is “utopianism.” Seeking to perfect man, progressives can never be satisfied with the state of things. To be a progressive means consistently to overlook undeniable progress — decreased poverty, for instance, or enhanced opportunity for minorities of all kinds — while insisting that everything is still terrible and calling for redoubling the fight with huge new injections of funding and ever-expanding bureaucracies.

By contrast, our greatest living playwright, Tom Stoppard, makes a Chestertonian case for accepting our gifts and muddling through. The director Mike Nichols once called him “the only writer

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Colin Powell, R.I.P.

Colin Powell, R.I.P.

We had substantial disagreements but recognize that he will be remembered for a long, consequential career of service to a country that he loved.