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Smoke is coming off this analogy he’s working it so hard:

First, our enemies created the suicide bomber. Now, we have our own digital suicide bomber, the camera. Just look at the way US army reservist Lynndie England holds the leash of the naked, bearded Iraqi. Take a close look at the leather strap, the pain on the prisoner’s face. No sadistic movie could outdo the damage of this image. In September 2001, the planes smashed into the buildings; today, Lynndie smashes to pieces our entire morality with just one tug on the leash.

The Muslim suicide bomber cries Allahu Akbar, God is great. And what does Specialist Charles Graner–Lynndie’s partner-in-crime, the man who appears in several of the torture photographs posing with Lynndie behind a pyramid of naked Iraqi prisoners–do back home in Pennsylvania. Why, his garden is plastered with a legend from the Book of Hosea, about sowing and righteousness and ploughing.

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