Pen International is an association of writers intended both to promote literature and to defend it.
In May, PEN America will be holding its annual gala, an event set to include the award to Charlie Hebdo of PEN America’s annual Freedom of Expression Courage Award, citing the French magazine’s “dauntlessness in the face of one of the most noxious assaults on expression in recent memory.”
The day after the attack, the surviving staff of Charlie Hebdo magazine vowed to continue publication, releasing their next edition on time with a print run expanded from 40,000 to over eight million under the mantra ‘All is Forgiven,’ donating all proceeds to the families of the victims. The Charlie Hebdo attacks dealt a blow to the bedrock principle that no act of expression, no matter how provocative or offensive, can justify violence.
Indeed it did.
PEN America also made the obvious point that it was not necessarily endorsing the cartoons, merely the right to publish them (without, it had no need to add, being murdered).
Peter Carey, Michael Ondaatje, Francine Prose, Teju Cole, Rachel Kushner and Taiye Selasi announced on Sunday that they had withdrawn from next month’s PEN American Center gala, citing objections to the literary and human rights organisation’s honouring of the French satirical magazine Charlie Hebdo….
[Francine] Prose told the Associated Press that… she was in favour of “freedom of speech without limitations” and “deplored” the shootings at Charlie Hebdo…
…the award signified “admiration and respect” for its work and “I couldn’t imagine being in the audience when they have a standing ovation for Charlie Hebdo”.
Peter Carey (AFP reports) conceded that “A hideous crime was committed….
“All this is complicated by PEN’s seeming blindness to the cultural arrogance of the French nation, which does not recognize its moral obligation to a large and disempowered segment of their population.”
Salman Rushdie made the obvious point:
If PEN as a free-speech organisation can’t defend and celebrate people who have been murdered for drawing pictures, then frankly the organisation is not worth the name.
I’ll just take the opportunity to quote yet again from an article published in Jyllands-Posten in the aftermath of its publication of the original Mohammed cartoons, an article which included this phrase: “Ytringsfrihed er ytringsfrihed er ytringsfrihed. Der er intet men.”
The translation? “Free speech is free speech is free speech. There is no but.”
Indeed there should not be.
Jyllands-Posten is singing a different tune these days, made all the bleaker by its bluntness. As I noted in a post earlier this year, the newspaper declined to republish the Charlie Hebdo cartoons after the Paris murders, saying this:
“We have lived with the fear of a terrorist attack for nine years, and yes, that is the explanation why we do not reprint the cartoons, whether it be our own or Charlie Hebdo’s,” Jyllands-Posten said. “We are also aware that we therefore bow to violence and intimidation.”
That sad surrender makes it all the more important that PEN America took the stand that it has, and that it has stuck with it. As for authors actually attacking PEN America for standing up for the, yes, sometimes uncomfortable principle of free expression, well…