The Corner

Music

Why Vinyl Records Are Sticking Around

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I’m one of those Millennials contributing to what Michael calls the “revival” of vinyl records. As such, I would like to explain myself. While most of my music-listening is still done via streaming, I have a small but growing record collection, some inherited from my parents. And in an age of streaming, I like simply owning them. Album covers are cool, sleeves and gatefolds are neat, and it’s just fun to wield a vinyl record.

I also enjoy how vinyl sounds. It seems silly, but I think there’s a real difference that comes from the way a record physically generates the sound, as opposed to merely serving as the means to transfer the digital imprint of music to you. To be sure, such digital imprints can come through more clearly. But there’s something almost comforting about the earthiness and even occasional crackle of a vinyl record as it spins right there in front of you. (Though not all records request that you PLEASE TURN ME OVER.)

Finally, although it’s obviously possible to enjoy streaming music and CDs in the presence of others and to enjoy vinyl by yourself, I think vinyl more readily lends itself to a communal experience. If you’re getting a record player out and there are people around you, you’re probably going to share the music with them as well.

So there’s my one-person attempt to explain why vinyl is sticking around. Ross Douthat may call me decadent for enjoying listening to music the same way my parents did, but so be it.

Jack Butler is submissions editor at National Review Online, media fellow for the Institute for Human Ecology, and a 2022–2023 Robert Novak Journalism Fellow at the Fund for American Studies.  
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