Magazine October 24, 2016, Issue

Troubled Genius

Mel Gibson and Erin Moriarty in Blood Father (Lionsgate Premiere)

Have you missed Mel Gibson? It’s been five years since his last studio movie, The Beaver, stumbled through a painful, scandal-shadowed release; ten years since Apocalypto, his last directorial effort; and 14 years since his last “normal movie star” picture, 2002’s Signs. His career, no less than his person, disappeared into the abyss, leaving behind only the sound of his voice, coarse and drunk and vicious, cursing blindly at his girlfriend on one of the tapes that finally sent him into exile.

The exile was deserved. But it’s still been a huge artistic loss. Before his final meltdowns, the hauntedness of

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In This Issue

Articles

Features

Books, Arts & Manners

Sections

Politics & Policy

Poetry

DAWN WIND The day comes with a dawn wind brisk enough to ripple the broad waters circling back beneath the waterfall, where the sheet of ice at the edge of those circling waters, the chunks of ...
Politics & Policy

Letters

Tangents to Heinlein Interesting that two huge themes with no apparent connection appeared in the October 10 issue: John Fonte & John Yoo’s “Progressivism Goes Global,” and Charles C. W. Cooke’s ...
Politics & Policy

The Week

‐ Gary Johnson may not know where Aleppo is, but he always knows where the Doritos are. ‐ Lester Holt is a registered Republican, but he clearly doesn’t let his partisan ...

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