Magazine November 13, 2017, Issue

Dark Progress

(Alcorn Entertainment/IMDb)

Blade Runner 2049, the 2017 sequel to a classic 1992 director’s cut of a flawed 1982 theatrical release adapted from a 1968 sci-fi novel, is a long and stately movie, with many scenes paced slowly enough to allow a corner of your mind to meditate on important questions that stand a little ways outside the plot.

For instance, is the world that Ridley Scott’s original depicted, and Denis Villeneuve’s follow-up expands, really a dystopia? The answer might seem obvious: To the future-noir gloom of the original, with corporate titans ruling from towers high above a polluted, overcrowded, acid-rain-swept Los Angeles, the

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In This Issue

Articles

Features

Books, Arts & Manners

Sections

Poetry

Poetry

IN PLATO’S CAVE As lights in some cheap movie lit Reveal the filth in which we sit; And eyes around recoil in fright: In Plato’s cave we hate the light. But dream of being in ...
Letters

Letters

Kindergarten Controversy We at Catherine Cook School are shocked and disappointed that National Review would allow Frederick Hess and Grant Addison’s article, “Classes of Kindergarteners” (October 15), to be printed without ...
The Week

The Week

‐ So it took only 20 percent of the U.S. uranium supply to make Hillary radioactive. ‐ Former president George W. Bush gave an address in New York on “the Spirit ...

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