Magazine July 30, 2018, Issue

Revolutionary Mayhem

A masked home invader in The First Purge (Universal Pictures)

When the history of the rise of 21st-century American socialism is written, I suppose the election of Alexandria Ocasio-Cortez to the House of Representatives might merit a passing mention. But the Rosa Luxemburg of the Bronx will be a mere footnote compared with the most important radical signifier of our time: the remarkable box-office success, across four films in six years and counting, of the low-budget horror-thrillers about the Purge.

The conceit behind the Purge series is basically Shirley Jackson’s famous short story “The Lottery” as reimagined by a far-left activist who’s also an aficionado of bad 1970s horror. In some

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In This Issue



Books, Arts & Manners


Wisconsin Spring

Charles J. Sykes reviews The Fall of Wisconsin: The Conservative Conquest of a Progressive Bastion and the Future of American Politics, by Dan Kaufman.


The Week

The Week

The Chinese cat that accurately predicted World Cup matches died suddenly. But are they sure it isn’t just flopping?


The Latest

Defending Dave Chappelle

Defending Dave Chappelle

By standing up to the woke mob, Netflix is providing a model for how corporations should respond to demands that they enforce leftist speech codes.
Harvard Has the Luxury of Being Woke

Harvard Has the Luxury of Being Woke

While other institutions practicing Harvard’s brand of diversity and inclusion must worry about the costs of wokeness, Harvard has the resources and the prestige to bear them.