Magazine December 31, 2018, Issue

A Heist Plus Everything

Viola Davis in Widows (Merrick Morton/Twentieth Century Fox Film Corporation)

Widows, the new not-just-a-heist movie from the camera of Steve McQueen (it’s his first film since 12 Years a Slave), began life as a miniseries more than 30 years ago. It was an English six-parter, to be precise, and I’m torn about whether it should have remained one. There is something intensely welcome about watching such a rich and sprawling narrative on the big screen, in an era when so much storytelling ambition is migrating to television. At the same time, the movie feels like a would-be Dickensian story from which some crucial parts were cut. It’s solid entertainment, but

In This Issue

Articles

Features

Books, Arts & Manners

Sections

Letters

Letters

Readers weigh in on Allen C. Guelzo’s “The Great War’s Great Price” and Kevin D. Williamson’s “Pillars of Fire.”
The Week

The Week

The worst part about getting coal in your stocking isn’t the indignity; it’s the notice of violation from the EPA.
The Long View

Holiday Revisions

From “Baby, It’s Cold Outside,” words and music by Frank Loesser, with revisions and amendments by the women’s-studies department at Bard College...
Poetry

Poetry

“Though slave to him I plan to kill, From here on in I mean to do the things I will...”

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