Magazine March 9, 2020, Issue

Parasite’s Class-Conflict Nightmare

Cho Yeo-jeong in Parasite (Barunson D&A)

This column, appearing as it does only twice a month, is a curated rather than a comprehensive guide to the year in movies. But it’s still a trifle embarrassing when the envelope opens for Best Picture and the winner is a film that I had postponed seeing and failed to review.

So let’s remedy that failure and talk about Parasite, the first foreign-language film to win Best Picture . . . ever, and a movie that’s in an interesting sort of dialogue with two of its Oscar rivals, excavating similar themes of class and violence and hilltop real estate.

The director is

This article appears as “Aristocracy Menaced” in the March 9, 2020, print edition of National Review.

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