Magazine October 4, 2021, Issue

Paul Schrader’s Late-Career Comeback Continues with The Card Counter

Oscar Isaac in The Card Counter (Focus Features)

The late-career revival of Paul Schrader has been one of the pleasures of the last few years of cinema. In the first 15 years of the 21st century, Martin Scorsese’s longtime screenwriter essentially fell off the map of Hollywood: Fired in 2003 from a prequel to The Exorcist because the studios hated the initial cut so much (though the version refilmed and recut by Renny Harlin was ultimately much worse), he made a few forgettable movies and then found himself unable to get funding for any of his projects. This led to the notorious yet tedious case of The Canyons,

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This article appears as “High Stakes” in the October 4, 2021, print edition of National Review.

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In This Issue

Special Issue on Crime

Books, Arts & Manners




A response to the notion that the U.S. military footprint in Afghanistan was a low-cost, high-reward deployment.


The Dossier Deceit

The Dossier Deceit

John Durham’s latest indictment reinforces that the Russian collusion conspiracy was built on a preposterous foundation.

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