National Review / Digital
Revolution, Inc.


You won’t be surprised to hear that Ben & Jerry’s, the hippie-dippy Vermont ice-cream makers, have come out in favor of “Occupy Wall Street.” Or as their press release puts it:

We, the Ben & Jerry’s Board of Directors, compelled by our personal convictions and our Company’s mission and values, wish to express our deepest admiration to all of you who have initiated the non-violent Occupy Wall Street Movement and to those around the country who have joined in solidarity.

Ben & Jerry’s is a wholly owned subsidiary of Unilever. What’s that? It’s an Anglo-Dutch multinational (stand well back) corporation. They produce a big chunk of everything in your kitchen and bathroom. Twelve of their brands have annual sales of over a billion euros per product, and, as I’m sure I don’t need to point out, a euro is well north of a buck these days. Unilever’s various billion-euro brands include Hellmann’s mayonnaise, Sunsilk shampoo, and Flora margarine. They’re the the biggest ice-cream manufacturer not just in Vermont but on the planet: They have a zillion factories churning out Popsicle and Breyers and brands you’ve never heard of but which are the biggest-selling cones and sundaes in Singapore, Pakistan, Belgium, and Lithuania. Unilever is about as corporately corporate as you can get.

They brought in a Unilever guy from Norway to be Ben & Jerry’s CEO, and neither Ben nor Jerry holds an executive position with the company, any more than Uncle Ben (no relation) and Aunt Jemima do with their respective corporate masters. I suppose they could have renamed the operating unit UniBen or JerryLever, but instead they decided to keep the whole tie-dye peace-pop cherry-Garcia vibe going. One might think this inherently preposterous, in the same way that one would assume even gullible music fans would guffaw at a label called “Maverick Records” that is, in fact, a subsidiary of Warner Music Group. Warner Music Group was, at the time of Maverick’s launch, itself a subsidiary of Time Warner, but today it’s cast off both Henry Luce and the brothers Warner and is instead a subsidiary of Access Industries. What’s that? It’s an industrial group that specializes in the exploitation of natural resources and chemicals. “We’ll never sell ourselves,” promised the band Story of the Year on their Maverick single “We Don’t Care Anymore.” And if you can’t promise not to sell yourselves when you’ve signed to a subsidiary of a subsidiary of a company that sells more polypropylene, polyethylene, and other polyolefin products for use in consumer packaging than anybody else on the planet, when can you?

Long before Ben & Jerry’s, the record companies established the general esthetic. The music business have been humbugs since 1955, when Bill Haley and Elvis Presley put them in the permanent-revolution business: As the Beatles sang, “You say you want a revolution?” Sure. Agitating for permanent revolution proved the best way to ensure corporate continuity: That’s why Bob Dylan’s on Kate Smith’s old label. “The Times They Are A-Changin’,” even if the record companies aren’t. And, if you can make it work in the rock biz, why not in ice cream? Indeed, the default political position of your average CEO — “socially liberal, fiscally conservative” — was pioneered by a generation of Brit rockers raising awareness for fashionable causes while sheltering their royalties beyond the reach of Her Majesty’s Treasury.

October 31, 2011    |     Volume LXIII, No. 20

  • Bobby Jindal is leading Louisiana’s revival.
  • Celebrating a remarkable Supreme Court tenure.
Books, Arts & Manners
  • Tracy Lee Simmons reviews James Madison, by Richard Brookhiser.
  • William Tucker reviews The Quest: Energy, Security, and the Remaking of the Modern World, by Daniel Yergin.
  • Michael Novak reviews The Most Controversial Decision: Truman, the Atomic Bombs, and the Defeat of Japan, by Wilson D. Miscamble, C.S.C.
  • Eli Lehrer reviews The Collapse of American Criminal Justice, by William J. Stuntz.
  • Ross Douthat reviews The Ides of March.
  • John Derbyshire laments the passing of ‘supererogate’ — and more.
The Long View  .  .  .  .  .  .  .  .  
Athwart  .  .  .  .  .  .  .  .  
Poetry  .  .  .  .  .  .  .  .  
Happy Warrior  .  .  .  .  .  .  .  .  
The Bent Pin  .  .  .  .  .  .  .  .