What the Italian film Martin Eden tells us about hard-left fantasies.
Chloé Zhao rips off the class struggle.
The Mark Zuckerberg hagiography predicted Big Tech fascism.
Michael Apted had the discipline not to impose liberal ideology on his films.
In 1971, Hollywood gave us a string of not only great films but enduringly fascinating ones.
On a podcast with Bryan Fogel, who has made ‘The Dissident,’ about Jamal Khashoggi and his murder.
2020’s films went from real cinema to increasingly politicized dreck.
Hollywood turns August Wilson into a #BLM Tyler Perry.
Bob Chitester, the executive producer of Free to Choose, looks back.