NR PLUS The Little Things: An Old-School Whodunit By Ross Douthat February 4, 2021 It toys reasonably effectively with the expectations set by all those predecessors.
NR PLUS Promising Young Woman’s Fantastical ‘Me Too’ Vigilantism By Ross Douthat January 21, 2021 Its caricature of sexual relations is so calculated, that you can’t really be all that frightened by the spirit that it represents.
Farewell to a Non-Visionary Filmmaker By Kyle Smith January 11, 2021 Michael Apted had the discipline not to impose liberal ideology on his films.
Hillbilly Elegy: Ron Howard’s Inverted Mayberry By Kyle Smith November 25, 2020 Americana for our age: Booze, opioids, and ignorance. But Glenn Close, at least, sails past the white-trash clichés.
Highly Recommended: What Killed Michael Brown? By Jack Fowler November 23, 2020 One consistent throughout the history of this country, says Steele, is that various forces and factions “only use race as a means to power.”
NR PLUS James Bond, in Literature & Cinema: A Retrospective By Peter Tonguette November 12, 2020 There has never been a Bond film that wasn’t at least moderately popular. What is it they say about 007? Nobody does it better.
NR PLUS Sofia Coppola’s Movie On the Rocks: Too Little Mess By Ross Douthat October 29, 2020 Bill Murray dominates this cinema of privilege.
How Heavily Edited Is the Giuliani Borat Scene? By Robert VerBruggen October 23, 2020 A new analysis suggests the key moment was artificially prolonged.
Borat Make No Funny in MovieFilm Second By Kyle Smith October 22, 2020 Comedy make fun usually mean “punching up” but punching down more fun when you’re Borat-ing.
Whole Lotta Sorkin Goin’ On By Kyle Smith October 16, 2020 Zippy, smart, fun . . . but smarmy, cutesy and fake. Aaron Sorkin’s The Trial of the Chicago 7 makes the case for and against its creator.