The Last of Us Produces a Pro-Life Masterpiece in Its Finale

The elevated zombie-genre show redeems itself.

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Pedro Pasca and Bella Ramsey in The Last of Us

HBO/via IMDb

The Last of Us, a show I initially celebrated and later castigated, managed a successful exit from Season One — much like an adrenaline-spiked lunge through the safe-room door in Left 4 Dead. Mid-season criticisms of the show had a lot to do with where the show-runners’ emphasis was — telling subversive love stories in the end of days — instead of progressing the plot or maintaining the integrity of the world’s internal logic. What separates the first season’s climactic end from what came before it is the jarringly pro-life messaging throughout the finale.

(Warning: Spoilers ahead)

Luther Ray Abel

About the Author

Luther Ray Abel

Luther Ray Abel is an Associate Editor for National Review. A veteran of the U.S. Navy, Luther is a proud native of Sheboygan, Wis.

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