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Woke Takes a Hit at the Smithsonian, and Watch the Philistinism, Please

Art and culture news has some notable comings and goings.

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Lots of DEI, lots of junk ideas, and lots of junk art undermined the Smithsonian during Lonnie Bunch’s reign.

Brian Allen

There’s lots of art news that doesn’t involve the federal government, but, alas, news from the Swamp looms large. I see that Lonnie Bunch, the head of the Smithsonian, is retiring at the end of the year. I interviewed him in 2019 when he’d just become the Smithsonian’s boss and the fantastic National Museum of African American History and Culture — his project — had just opened. Having done a renovation and addition to a 16-gallery museum, I’m awed by anyone who could lead the charge toward a brand new — and gorgeous — museum many times that size.

He’s 74, so he deserves to retire and rest on his African American museum laurels. Alas, elsewhere he lost the plot of our times. He’s a DEI kingpin at a time when the whole toxic woke enterprise has a target on its back and the White House is aiming at it with orders to fire — and fire bazookas. Under his watch, the Smithsonian co-sponsored the 1619 Project with the New York Times, an unforgivable conspiracy against merit, common sense, quality, and the best in human nature. Driven as it is by race-based preferences and the false value of “equity” — everyone has to land in the same place — much of DEI is illegal. Bunch was proud of the Smithsonian’s role.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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