A Terrifying Journey through Cosmo

For just $6, I had purchased a morally corrupting poison.

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A Cosmopolitan magazine at Skybar in West Hollywood, Calif., September 29, 2022.

Amy Sussman/Getty Images for Cosmopolitan

Before boarding a short flight, I did what I imagine most twentysomething women do: I bought a glossy magazine, Cosmopolitan. Iโ€™d never read it before โ€” not even the battered and outdated copies at the nail salon โ€” but Iโ€™m always open to in-flight entertainment and suggestions for my ever-growing lip-gloss collection. After I merely glanced at the headlines tucked between the seemingly endless advertisements for jewelry and body washes, it became clear that I wasnโ€™t being offered harmless suggestions for a stylish wardrobe. For just $6, I had purchased a morally corrupting poison.

Editor in chief Jessica Giles introduced the Cosmopolitan issue with a short paragraph lamenting the โ€œbatsh** election season.โ€ Giles prefaces an article about the โ€œdawn of Black-centered fragrances in a stubbornly white perfume industry.โ€ Pages later, the magazineโ€™s beauty editor, Julee Wilson, complained that the fragrance industry is โ€œsuper European and super white,โ€ adding that โ€œit seems like the fragrance business never got the DEI memo the rest of the beauty industry has doubled down on.โ€ (She recommends eight perfumes made by people of color, but thereโ€™s no description of how any of them smells, so you have no idea which ones you might actually like.) I thought that, by the end of 2020, progressives had exhausted their ability to whine about white people and supposed racism, but Cosmo provides a fresh spin by decrying the devilish perfume industry.

Abigail Anthony

About the Author

Abigail Anthony

Abigail Anthony is a staff writer at National Review.

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