Mass MoCA, the World’s Biggest Contemporary Art Museum, Looks Fantastic

It started from scratch 20 years ago, in an abandoned factory complex, and overcame big challenges through vision and commitment.

Share this story

Installation view of Sol LeWitt: A Wall Drawing Retrospective.

Artworks © Estate of Sol LeWitt/Artists Rights Society (ARS), New York

One of the fascinating phenomena in the American art world is our flexibility in establishing new museums. In calcified, stratified Europe, building a new museum from scratch is counterintuitive. Doing anything new is hard. Though this is changing, great European private collections are usually sold at estate sales. The grand philanthropic gesture — giving a collection to a museum or starting one — is rare.

In America, it happens more often, in part because of our tax laws but mostly because Americans are naturally generous. Almost everything in the arts here happens through private initiative, and it takes plenty of initiative, even chutzpah, to form a museum from scratch.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

Comments

Advertisement

Advertisement