The Glory of Spain: A Treasure Trove That Tells a Story

Houston’s MFA and New York’s Hispanic Society offer Velázquez honchos, Goya’s hot-tamale Duchess, and Sorolla en la playa.

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Louis Comfort Tiffany, 1911, by Joaquín Sorolla y Bastida. Oil on canvas.

Hispanic Society of America

One of the most inspiring, instructive, and beautiful exhibitions in the country now is The Glory of Spain: Treasures of the Hispanic Society Museum & Library, which I saw at Houston’s Museum of Fine Arts before the conceited axis of big government, airhead media, and lemming academics quarantined the world to fight a virus that, if and until there’s a vaccine, isn’t going away. It took the Spanish Empire centuries to dissipate vast wealth we wasted willy-nilly in a few weeks. In times like these, great art from the past gives perspective and teaches resilience.

It’s a traveling show of highlights from the Hispanic Society in upper Manhattan, one of the greatest but least-known museums in the country. The Society owns and displays the best collection of Spanish art outside Spain in a distinguished building that’s part Beaux-Arts, part Moorish revival, part plateresque, and thoroughly fantastic.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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