At the Met Gala, Silk, Sequins, Sass . . . and Sand?

Bright and bawdy attire raises big bucks for the Costume Institute.

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Zendaya, Bad Bunny, and Sarah Jessica Parker pose at the Met Gala in New York City, May 6, 2024.

Andrew Kelly/Reuters

I have a beef with those among us who have a beef with the Met gala. A bone to pick is probably better since many of the women at the gala have that lean โ€” banana-split-deprived lean โ€” and hungry look. The annual gala starts the May art season in New York and raises money for the Metโ€™s Costume Institute, the department that deals with the art history of fashion. The gala was also the opening event for the Costume Instituteโ€™s blockbuster exhibition, Sleeping Beauties: Reawakening Fashion. Itโ€™s the splashiest social event of the year.

Friends tell me they think the gala signals social collapse. โ€œHappy to be decadentโ€ or โ€œdepravedโ€ or โ€œtastelessโ€ or โ€œjust plain weird,โ€ the partygoers โ€” or at least their outfits โ€” seem to proclaim. At $75,000 a ticket, the gala entitles buyers to proclaim whatever they want, but, really, some, like J. Harrison Ghee, went for a look thatโ€™s too various. Shown too many options, Ghee was, to borrow from Oklahoma, a โ€œgirl who canโ€™t say no.โ€ Iโ€™m not surprised. Ghee uses he/she/they pronouns and is โ€œnonbinaryโ€ and โ€œpansexual.โ€ Too much and too many.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Reviewโ€™s art critic.

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