PlusArts

Grayson Perry Goes from Eccentric to National Treasure

Exhibition in Edinburgh shows a British artist — and self-described ‘transvestite potter’ — with a pungent, fun view of art and society.

Share this story

Grayson Perry, The Agony in the Car Park, 2012, wool, cotton, acrylic, polyester, and silk tapestry.

© Grayson Perry, courtesy the artist and Victoria Miro

Many readers know that my eye is a gimlet one. I might very well enjoy slipping a stiletto between bloated plutocrat ribs a wee too much. Afflicting not the comfortable but the smug, the superficial, and the conformist is a critic’s job. I can’t say that I love the English artist Grayson Perry’s work but find in it an original vision and in him a charming though odd presence. “It’s about time a transvestite potter won the Turner Prize.”

So began Perry’s acceptance speech after winning the 2003 prize, since 1984 Britain’s most prestigious award for a living artist. Perry (b. 1960) was a shock winner. He’d had modest exhibitions and a dealer, but he’d never been a featured story in an art magazine.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

Featured Tags

Manage following

Comments

Advertisement

Advertisement