PlusArts

Lillie Bliss, MoMA’s Unheralded Founder, Gets a Close Look

She was one of three women who created the museum, and her gifts of art and money still make a difference after 90 years.

Share this story

Georges-Pierre Seurat, Port-en-Bessin, Entrance to the Harbor, 1888, oil on canvas.

The Museum of Modern Art, New York

Today I’d planned to write about the 200th anniversary of the Brooklyn Museum, the trove of treasures from every era and inch of human creativity, but, alas, I slipped on some ice and took a tumble on the subway steps at Grand Central on the way. Nothing broken but not because I was suddenly balletic. I was dressed like a Vermonter, wrapped in more layers than an Egyptian mummy. As I walked down the steps, gingerly, I’ll note, I thought about my three church friends who’ve fallen this winter, and in a second or two I joined their hobbling ranks. “Go figure,” as they say in Brooklyn.

New Yorkers are unusually good in a crisis like this. Strangers helped me up, sat me down, and gathered what fell from my book bag, which is really a man bag. I started carrying one a few years ago. Hand sanitizer, my date book, a bottle of Perrier, moisturizer, lip balm, tissues, a bottle of Tylenol, which I’d need, spare glasses, and pens galore had scattered. I wish I could say I carried a copy of National Review. I did have the latest catalogue from the silver dealer S.J. Shrubsole. I was thankful for that small bit of grace. Shrubsole is a classy place. I thought, “At least no one can say I’m a bumpkin,” though I surely looked like a derelict one. No need to call 911, though people were willing to do it. If I’d fallen in Boston, I would have been mugged.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

Featured Tags

Manage following

Comments

Advertisement

Advertisement