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Locked Out of Yale’s Gallery? This Museum Has Class and Heritage to Spare

The COVID-afflicted Connecticut Art Trail leads these days to Hartford’s Wadsworth Atheneum.

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Left: Paul Manship, Diana, cast 1925 (one of a pair). Bronze on marble base.Right: Paul Manship, Actaeon, cast 1925 (one of a pair). Bronze on marble base.

Addison Gallery of American Art, Phillips Academy, Andover, MA, gift of anonymous donor. © Estate of Paul Manship

A couple of weeks ago, I visited the distinguished Wadsworth Atheneum in Hartford. It’s one of the essential museums for art lovers, with a long list of cultural firsts, a gorgeous collection, and eclectic, even rousing architecture. It’s a two-hour drive from my home in Vermont and about the same from New York. I lived in Connecticut until my first job as a curator, so the Atheneum and the art gallery at Yale were my local museums, a blessed geography for a young art lover.

I looked at some of my favorite things, given that I hadn’t been there since the COVID crisis and subsequent hysteria. The Atheneum was forced to close but opened the instant it was allowed, a credit to its visitor-oriented leadership. The art gallery at Yale, alas, opened for only a week in October and then closed again. What a disgrace. Tax-free Yale has purged the public from its campus, leaving a region with 500,000 people without their local art museum for a year, even though there’s not a single documented case of COVID transmission in a museum setting. Like most universities, Yale is animated by ideology and superstition these days.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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