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Medieval Money Matters, from Macabre to Moral

A Morgan Library show reminds us that money paves the road to hell, then as now.

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Greedy people go to Hell, case closed. Deathbed and Souls Tormented in Purgatory in The Hours of Catherine of Cleves, illuminated by the Master of Catherine of Cleves, Utrecht, The Netherlands, 1440.

The Morgan Library & Museum, New York, purchased on the Belle da Costa Greene Fund and through the Fellows, 1963 and 1970. Photography by Janny Chiu

I’ve written about the Morgan Library a half dozen times or so over the years. It’s an oasis and a treasure trove, never vapid, never fake, never preachy. It never sticks a codpiece in its trousers. It’s 100 this year and, correctly, the museum is reflecting on its past and tipping its hat to its audience of connoisseurs and art lovers. And no one needs a degree, much less a pedigree, to love art or to discern quality. A good eye and good taste help, as does an open mind, but the Morgan Library, as a place, soothes and heals. In frenzied Manhattan, you need to want that to enjoy it.

For the first time in a year or so, I visited last week, wanting to see what I knew would be delicious art but also to see how it projects itself. Money, the Bible, Tiepolo, and, of course, J. P. Morgan star. There’s a show on herbals for the crunchy.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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