PlusArts

Mellon Foundation: Too Insular, Too Rich, Too Dogmatic

With $8 billion in the bank, it does some good but funds too many left-wing manias.

Share this story

Vapid victimhood art in stained glass, courtesy of Kerry James Marshall and the Mellon Foundation.

Photo courtesy of Washington National Cathedral

A couple of weeks ago, I saw The Passions of Paul Mellon: Horses, Art, and Philanthropy, a very good exhibition at the Museum of Racing in Saratoga. It hit me there that I hadn’t written about the Mellon Foundation in a while. With an $8 billion pot of cash, Mellon is one of the biggest culture foundations in America and the world.

It was established in 1969 “to strengthen, promote, and defend the arts and humanities as essential to democratic societies.” Paul Mellon and his sister, Ailsa Mellon Bruce, formed it by consolidating their two foundations. Mellon is named for their father, Andrew Mellon, the titan whom Warren Harding called “the financier of the universe.”

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

Comments

Advertisement

Advertisement