Censorship in the Age of ‘Openness’ and ‘Diversity’

Alternative history has produced some fun and interesting works of literature and drama: Philip Roth’s The Plot against America, Philip K. Dick’s The Man in the High Castle, Frank Spotnitz’s The Man in the High Castle, and . . . here’s filmmaker Leo Herrera on his recent project:

Sounds tedious to me, but then I do not imagine I am the target audience. (Middle-aged conservatives are the target audience for Civil War documentaries and the prime demographic for being in bed before ten.) But it is a great big world with much of interest in it and many kinds of audiences.

About the Author

Kevin D. Williamson

Kevin D. Williamson is a former fellow at National Review Institute and a former roving correspondent for National Review.

Alternative history has produced some fun and interesting works of literature and drama: Philip Roth’s The Plot against America, Philip K. Dick’s The Man in the High Castle, Frank Spotnitz’s The Man in the High Castle, and . . . here’s filmmaker Leo Herrera on his recent project:

Sounds tedious to me, but then I do not imagine I am the target audience. (Middle-aged conservatives are the target audience for Civil War documentaries and the prime demographic for being in bed before ten.) But it is a great big world with much of interest in it and many kinds of audiences.