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Persian Parables

The Afkhami collection, on view at the Asia Society in New York, is foundational for understanding the contemporary art of Iran.

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Ali Banisadr, We Haven’t Landed on Earth Yet, 2012. Oil on linen. H. 82 x W. 120 in. (208.3 x 304.8 cm)

Mohammed Afkhami Foundation. Photograph courtesy of Mohammed Afkhami Foundation

Rebel, Jester, Mystic, Poet: Contemporary Persians is the new exhibition at the Asia Society on Park Avenue and 70th Street in Manhattan. It’s a strikingly good show of contemporary Iranian art assembled by Mohammed Afkhami, a young, well-born Iranian whose family’s fortune and art collection were wiped out after the 1979 Islamic Revolution. With his own fortune made from investing, a passion for art still intact, and good taste, Afkhami gives us quite a treat. Twenty-three artists are represented in many media. The Asia Society is a classy, welcoming place, so I knew I’d see a quality show displayed in style.

The Afkhami collection is foundational for understanding the art of Iran, and presentation helps. The art’s arranged with a light, conversational touch and rhythm, and that’s the work of a good curator — in this case, Fereshteh Daftari — blessed with the Asia Society’s very nice galleries but also confident enough to let the art do its thing.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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