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Reynolda House Leads the Way, in Charm and Welcome

Great American work from living and dead artists, luscious gardens, and a commitment to serve the public, even amid COVID.

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Albert Bierstadt, Sierra Nevada, 1871-1873. Original Purchase Fund from the Mary Reynolds Babcock Foundation, Z. Smith Reynolds Foundation, ARCA, and Anne Cannon Forsyth

Reynolda House is one of the sweetest, loveliest museums in the country. I’ve been there many times because it has a superb collection of American paintings, but I hadn’t visited in probably ten years. It’s part of Wake Forest University in Winston-Salem, N.C., so it’s a university art museum but it’s a grand house, the home of the Reynolds tobacco barons. It wasn’t part of the school until recently, so its collection is eccentric and not curriculum-driven. It’s a unique place. I visited during my road trip through North Carolina.

Frederic Church, Eakins, Bierstadt, Thomas Cole, Georgia O’Keeffe, and many others are in the Reynolda House collection, in a comfortable, idiosyncratic home setting, and at 3 p.m. there’s a short recital via the pipe organ in the grand reception room.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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