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Truck-Driver Artist Takes On New York, Italy Buys a Hidden Caravaggio, and Meryl Streep Tosses Big Bucks at a Bad Cause

Plus, your critic’s first Butterfly Net Prize for this month’s craziest moment

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Joe Macken, New York City Model (detail), 2004–2025.

Museum of the City of New York, photo by David Lurvey

If I’m counting correctly, this is my 50th monthly “in the news” piece, a storyline I introduced in 2021. Art news, that is — toward the end of every month, I survey the glass hive, reporting the good, the dubious, the bad, and the ghastly.

I tend to abhor hierarchies, but I’ll start with the good — or, I should write, wonderful — exhibition called He Built This City: Joe Macken’s Model at the Museum of the City of New York. It’s a one-object show that just opened, but what an object. Over the past 20 or so years, Macken, a truck driver and Queens native, has been making a 50-by-27-foot aerial-view model of New York City showing tens of thousands of buildings made with balsa wood, cardboard, an X-Acto knife, and Elmer’s Glue. Greenery, rivers, roads, bridges, piers, beaches, and plazas make for a sweeping panorama. Never has New York looked so good. Icons such as Paul Manship’s Prometheus bronze at Rockefeller Center and the water tanks topping city buildings make for a fantasy world.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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