Only two studio-made films received major nominations: Munich, which is this year’s cod-liver-oil, you-should-take-this-because-it’s-good-for-you choice that will receive no awards, and Walk the Line, which everybody liked but was just too much like last year’s Ray to get more nominations than those for Reese Witherspoon and Joaquin Phoenix. The two best studio films of the year were Cinderella Man, a movie destroyed by its title and its brilliant star’s psychotic decision to hurl a cellphone at the head of a hotel clerk, and King Kong, which suffered because it was supposed to make as much money as Titanic but instead will only make a quarter of a billion dollars in the United States and is therefore judged a disappointment. As it happens, Tim, the most wonderful thing that could happen out of these nominations is that Amy Adams win a best supporting Oscar for her work in the tiny Junebug–it’s one of the best performances ever filmed, and I don’t say that lightly. But she won’t.