Having wandered into this zone, I may as well answer the 3 or 4 NRODT
readers who e-mailed to ask me what my favorite opera aria is. This is one
of those questions I’d answer differently at a different time, or in a
different mood: but the other day I heard a recording of the young
Pavarotti singing “A te o cara” from Bellini’s opera I puritani, and
haven’t been able to get it out of my head since. I know, bel canto isn’t
everybody’s cup of cappuchino, but it does it for me. Warning: This aria
contains a sensational high note–put away your glassware somewhere safely
out of range. A lot of singers shy at that note–I saw Gregory Kunde, a
fine Bellinian, do just that at a Carnegie Hall concert performance 5-6 yrs
ago. Others attack it but are defeated: Justin Lavender (imagine going
through life with a name like that!) on the otherwise wonderful
Nightingale CD set, for example–though Edita Gruberova’s “Son vergin
vezzosa” is more than sufficient compensation. Pavarotti makes it sound
effortless. Say what you like, he is a truly great singer.






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