My theatrical aspirations have never gone beyond the role of the grandmother in Tobacco Road, who moans so loud and so long onstage in her deplorable garments. But when I was introduced to the wonderful world of the Brooks-Van Horn Costume Company, the desire to become somebody else via a set of clothes became powerful indeed, though as yet unfulfilled. However, we shall see.
Brooks-Van Horn is the nation’s most famous theatrical costumer and a multi-million-dollar business. The company owns a large building at 117 West 17th Street in New York City in which there are more than 300,000 rental costumes; large work rooms teeming with designers, tailors, and seamstresses working on the next production Brooks-Van Horn is costuming; milliners specializing in regal crowns, dragons’ heads, and Paris frou-frou of the past; a dry-cleaning establishment; a research library; and offices with people going to and fro with costume sketches, odd bits of material, or perhaps an Elizabethan doublet. This is the ultimate fairy-tale world, a Fellini setting come to life.




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