Scot Bertram is the co-host of the Political Beats podcast at National Review. He also serves as a lecturer in journalism and general manager of the student-run radio station at Hillsdale College.
Political Beats
Scot Bertram and Jeff Blehar ask guests from the world of politics about their musical passions.
Tim Constantine / Bob Seger
Scot and Jeff discuss Bob Seger with Tim Constantine.
Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Tim Constantine. Today you see him interviewing presidents and prime ministers on The Capitol Hill Show out of Washington, D.C., but Tim got his broadcasting start in rock radio when he was just 13 years old. Watch Tim Constantine's Capitol Hill Show and find him on X at @timconstantine1.
Tim’s Music Pick: Bob Seger
Bursting out of the Detroit rock scene in the late ’60s, Bob Seger paid his dues in smoky bars and VFW halls before finally breaking through with Live Bullet and Night Moves. It wasn’t overnight success. Seger’s story begins in the early 1960s and includes a string of quality albums in the early 1970s that the artist refuses to allow to be streamed or rereleased in any way.
Seger’s raspy voice and working-class storytelling made him the unofficial bard of the Midwest — writing songs that felt like they were ripped straight from America's small town backroads and main streets. Seger had a gift for writing anthems that balanced nostalgia with grit, “Night Moves” and “Mainstreet” chief among them. He followed his smash hit album with a fish-out-of-water follow-up that spoke to some of his uncomfortableness with the spotlight.
In the ’80s, Seger leaned into his role as rock’s reliable everyman. With songs like “Against the Wind” and “Like a Rock,” he became the (literal) soundtrack for Forrest Gump and the voice that sold millions of Chevy pick-up trucks. Whether it was a prom slow dance or a late-night drive, Seger’s songs were always there.
His later albums didn’t necessarily chase relevance — they just kept the flame alive. And when he finally hung it up after one last tour in 2019, he didn’t exit with bombast and he hasn’t teased the world with any number of comebacks. He seems content to have left listeners with a jukebox full of songs to enjoy. And it’s likely you know far more of them than you might think.
If you’re a fan of old time rock and roll, well, this might be the episode for you.
Jeffrey Blehar is a National Review staff writer living in Chicago. He is also the co-host of National Review’s Political Beats podcast, which explores the great music of the modern era with guests from the political world happy to find something non-political to talk about.
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