Culture

America Has A Loser Problem

Cesar Sayoc appears in a federal court in Miami, Fla., October 29, 2018. (Illustration: Daniel Pontet/Reuters)
Crime gives an opportunity for notoriety otherwise not available to the marginal and socially isolated.

It’s not any less awful for being so familiar. 

The last three high-profile attacks that have convulsed the nation, two in just the past week or so, have been carried out by fringe loners who fit the stereotype of the perpetrators of such crimes precisely — they didn’t fit in, they were “off,” they kept to themselves.

The word that comes up again and again in accounts of their lives is “alone,” always alone.

The life of Cesar Sayoc, who mailed crude pipe bombs to Democrats ranging from George Soros to Hillary Clinton to Robert De Niro, was a pitiable wreck. His father abandoned his family as a child, and after dropping out of college, Sayoc lived with his grandmother. Then he went from place to place, performing as a male stripper. He compiled a record of petty crime, lost his home, declared bankruptcy and carried around what money he had in a briefcase, because he didn’t trust the banks. He was estranged from his family and resisted its pleas for him to get help. Sayoc lived out of his van, bizarrely festooned with pro-Trump stickers.

Not much is known about Robert Bowers, the Pittsburgh synagogue shooter, besides his vile social-media postings. A childhood friend called him “pretty much a ghost.” He may have dropped out of high school. As an adult, he lived alone in an apartment, and no one ever came to see him. One neighbor said she couldn’t remember Bowers ever talking to anyone. “I don’t know,” another said, “if he had any friends, anywhere.” 

The Parkland school shooter, Nikolas Cruz, was left with no parents after the death of his adoptive mother. He was expelled from Marjory Stoneman Douglas High School, where he was an outcast. He was reportedly depressed and had other behavioral problems. Police were called constantly to his home. A defense attorney called him “a broken child.”

None of this, of course, is to excuse in the slightest the heinous crimes of these men, or to deny the existence of pure, unadulterated evil. Murderous haters and kooks have been with us forever, as has anti-Semitism. Yet the social pattern is clear.  

The phrase “deaths of despair” has entered the nation’s vocabulary the past few years to denote the rise of mortality among a subset of working-class whites from suicide, drugs, and alcohol. Its declining life expectancy is one of the most stunning trends in American life. The at-risk population tends to be unmarried, disconnected from civil society, marginally employed, and largely on their own. 

One way to look at recent mass killings (or attempted killings) is as the handiwork of a very small, violent fringe of the socially disconnected. Their destructiveness is directed outward, in cowardly acts of mindless malice, rather than inward. They marinate in hate and proudly share their lunatic obsessions online, in a twisted simulacrum of community. They seek their identity in political extremism, Jew-hatred, or the hellish idolatry of school shootings. 

Their crimes are, in their diseased view, feats of grandeur. They make up for the sting of failure and rejection. They give them a chance at perverse consequence and notoriety otherwise not available to them in their marginal lives and social isolation. 

Yes, Cesar Sayoc might have been eking out an existence as a homeless strip club DJ, but he might kill or maim, or at least frighten, a titan of international finance. Yes, Robert Bowers might be the man living in a shabby one-bedroom apartment whom no one knew or cared to know, but he would act to save his race from “genocide.” Yes, Nikolas Cruz might be a miserable kid obsessed with video games, but his name will now long live in infamy. 

It’s evil and pathetic, infuriating and sad, and, by the looks of it, a persistent feature of 21st-century American life. What Emile Durkheim called anomie has been weaponized, and it’s horrifying to behold.

© 2018 by King Features Syndicate

Rich Lowry is the editor of National Review. He can be reached via email: comments.lowry@nationalreview.com. 

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