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After a Near-Death Experience, the Berkshire Museum Looks Ready to Bloom

What can and should a museum do if it’s both broken and broke?

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Rendering of the planned new aquarium at the Berkshire Museum, a unique museum of art, science, and nature emerging from an art-for-cash scandal in 2018.

Photo courtesy of the Berkshire Museum

In the past few days, I’ve been less than a gimlet-eyed art critic, having had the first installment of cataract and glaucoma surgery in mid January. For two weeks, I had laser vision in one, new-and-improved eye and minimal distance vision in the other, old-and-beclouded eye. With a touch of double vision, I’ve laid low. Once my right eye was fixed, I felt I’d been seeing the world as if it were an over-varnished Old Master painting, as if everything had a ultra-thin layer of mud spread over it. The world looked like a Reynolds portrait that needed a good cleaning.

Things could be worse, I know, but when it started to look like a late Inness, which is another term for “inscrutable,” I knew my eyes needed to be fixed.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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