Godzilla Minus Conscience

Gary J. Bass’s magnificent new study of Japan’s wartime legacy raises moral questions about the international hit film.

Share this story

Still from Godzilla Minus One

Official Film Website, Toho International

Many intelligent critics have hailed the Japanese film Godzilla Minus One for offering more than the campy fun you would expect from a movie featuring the giant lizard. They have found in it a humanity and depth of characterization lacking in earlier outings of the long-running franchise.

I do not entirely agree with writers, including some for this publication, who have praised the film as one of the best of the year. In the end, I found it to be competent but largely forgettable. The climax of the movie, during which a fishing fleet goes out to trap the giant creature so that a bold kamikaze pilot can fly straight into its mouth, plays like a remake of Jaws that fulfills one of the most famous lines in movie history — “We’re gonna need a bigger boat” — and the good guys finally get that bigger vessel, a plethora of them, in fact, and put them to deadly use.

Michael Washburn

About the Author

Michael Washburn

Michael Washburn is a New York-based novelist and short story writer. His most recent book is Infinite Desert.

Comments

Advertisement

Advertisement