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Pontormo’s Ghostly Paintings Come to Bowdoin College in Maine

However, a new look at the permanent collection is a shallow PC rant about Western ‘imperialism.’

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Left: Jacopo da Pontormo, Daphne and Apollo, 1513, oil on canvas. (Photo courtesy of the Bowdoin College Museum of Art, Brunswick, Maine)Right: Jacopo da Pontormo, Apollo and Cupid, 1513, oil on canvas. (Samek Art Museum, Bucknell University, Lewisburg, Pa.)

I was on Mount Desert Island for a week on vacation but, going up and back, I visited favorite museums. Last week, I wrote about the Farnsworth in Rockland. It’s observing its 75th anniversary. Today I’ll write about the Bowdoin College Museum of Art, a winning gem in normal times. But little that happens today on college campuses is normal.

It’s always nice to visit the Bowdoin museum. There, I was a man on a mission. I went to see Metamorphosis and Malice, an exhibition gathering the three known monochromatic paintings by Jacopo da Pontormo (1494–1557). They depict Apollo and Cupid and Daphne and Apollo, both from 1513. Adam and Eve with Cain and Abel is from 1515. I’ve seen them before, but these small, gray, spectral things are, to me, snapshots of a deep, mystical past. They’re magical. Bowdoin owns one of the three. The museum borrowed the other two and shows them along with works on paper from the same era.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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