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The Art of Visiting an Art Fair from Afar

There’s lots to see and learn online — plus, thoughts on art tariffs

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“Come here, my little chickadee”: an early triumph in Meissen porcelain, then a new medium in Europe. Johann Joachim Kaendler, Lovers with a Birdcage, c. 1737–1738, Meissen porcelain.

Courtesy Trias Art Experts

When I was a curator and a museum director, I never went to the art fair held by the European Fine Art Foundation, or TEFAF, an annual extravaganza held in Maastricht in the Netherlands. It’s the world’s premiere art fair, with dealers offering the best and freshest “magna opera,” and every one of this year’s 265 or so stalls is a mini museum. It’s closing today. TEFAF in ye olden days displayed very little American art, and I was an American art curator and director of a museum exclusively of American art. There was no reason for me to go, but I was once a provincial, I’m sorry to admit. Every art lover should go. It’s an essential and unforgettable experience.

I couldn’t go this year, since I’ve got a busy travel schedule and I’m going to the Biennale in Venice in May. But I’ve found that even a simple country soul like me in rural Vermont can have an enriching TEFAF experience from afar.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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