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The Winter Show at the Park Avenue Armory: Quality Abounds, and Firepower, Too

A 1776 Kentucky rifle, a rare Grant Wood painting, and Tiffany’s Poppy Lamp are among the treasures to be purchased.

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Your art critic, handling a 1776 Kentucky rife at the Winter Show in New York.

Photo, Jack Kontarinis

The Winter Show, once dedicated to Americana, or antiques made for everyday use, is among the most elegant and oldest art fairs in America, which is why I write about it every year. Today, it invites the best dealers to show fresh-to-the-market, rare, European, American, and, here and there, Asian furniture, silver, textiles, glass, wallpaper, and, yes, paintings. The fair benefits the East Side House Settlement, a New York charity offering all kinds of social services to people of all ages, from toddlers to the elderly — twinkle to wrinkle, as the director told me. The first Winter Antiques Show was in 1954, so it’s in its eighth decade and is, I think, the oldest high-end dealer show in America. It’s all quality, all the time.

With so much art in so many media and from so many eras and places, I tend to pick a different theme every year. Given that it’s Inauguration Week, and an extraordinary week it was, I’ll write about American originals — art that is closely tied to American history and America’s unique aesthetics. At the end of the story, I’ll diverge, in the interests of pure fabulosity.

Brian T. Allen

About the Author

Brian T. Allen

Brian T. Allen is National Review’s art critic.

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