On Revisiting a Great Russian Novel

Suffering and transcendence in The Master and Margarita

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Mikhail Bulgakov, 1891–1940

Public domain/via Wikimedia

Aconfession: In my later years I have become less of a reader, even as I have become a writer. It has been a terrible trade in many (but not all) ways, effectively severing the taproot of my creative inspiration at the very moment I chose to devote my working hours to churning out prose. But it is also a necessary one. Think of it as the true curse of “living in interesting times” for someone whose gig is political commentary. (“Stop the world, I want to get off” is a sentiment applicable to all times, places, and professions.)

When I pick up a book, it is most likely to be a dry and dusty historical monograph bought at a university library sale; I avoid fiction, especially whatever passes as “modern” nowadays. Yet this was not always the case. My childhood was consumed with reading the greats of world literature — and then reading commentaries and arguments about them, often written by brilliant, ornery scholars like Harold Bloom or Camille Paglia.

Jeffrey Blehar

About the Author

Jeffrey Blehar

Jeffrey Blehar is a National Review staff writer living in Chicago. He is also the co-host of National Review’s Political Beats podcast, which explores the great music of the modern era with guests from the political world happy to find something non-political to talk about.

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