EVER since the 1988 radiocarbon dating, which placed the famous Shroud of Turin as having originated somewhere between 1260 and 1390, the matter has disappeared from our cultural radar screen. The Shroud is generally thought to be a remarkable medieval artifact.
But not so fast. Ian Wilson, author of a previous book on the Shroud, has produced here a magnificent state-of-the-question study, remarkable both for its scholarship and for its philosophical poise.





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