I think I mentioned that I did a public interview with Matthew Polenzani, the American tenor. He told me a joke once – and I asked him to repeat it before our audience. It tells us something about the economics of opera. (Did you ever ponder the subject?) Q.: What are the three registers of the male voice? A.: The bass register, the baritone register, and the cash register.
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About the Author
Jay Nordlinger was a senior editor of National Review and a book fellow at National Review Institute.
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